Category Archives: Las Vegas

Urbanist Lessons from Trip to the Southwest

aesthetics, American Culture, Architecture, arcology, Art Deco, California, capitalism, Cities, Class, Consumerism, Corporations, Culture, demographics, Disneyland, Donald Trump, Economics, Futurism, Grand Canyon, Hipsters, Historic Preservation, History, Las Vegas, Matthew Pegas, Mid-Century Modern, Middle Class, Mormonism, Neoliberalism, Neon, Photography, Politics, Postmodernism, Retro Futurism, Skyscrapers, social capital, social trust, Suburbia, Travel, Urbanism, Utah, Utopia, Wilderness, Zion National Park, Zoning

Robert Stark and Matthew Pegas discuss their trip last fall to Las Vegas(Vegas Strip and Downtown), The Grand Canyon, and Zion.

Topics:

Las Vegas as the quintessential Post Modernist City
Creating an other wordy aura that does not exist in mundane consumerism
Creating something noble or grandiose out of consumerism
Las Vegas as an economic rather than geographic concept
Nothing permanent because architecture only survives if profitable
Vintage Vegas and Neon Signage
Irony of historic preservationist dismissing architecture of value because it is a product of capitalism
The pros and cons of private zoning
Casino Resorts functioning as an arcology or self contained city
Theme parks as models for urbanism
The potential for an urban alternative to over priced West Coast Cities
St. George Utah, sprawl layout, and high trust homogeneous middle class demographic
Alt-Urbanist solutions that seek to recreate those attributes in an urban setting
Southern Utah and Northern Arizona as one of the most scenic and geologically diverse regions in the world

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This show is brought to you by Robert Stark’s Paintings, Stark Truth TV, and his novel Journey to Vapor Island




Downtown Vegas Photo Album

aesthetics, Architecture, Culture, Las Vegas, Neon, Photography, Travel, Urbanism

 

 

 

 

 

 

 

 

 

 

 

 

 

Album Includes:

Bonanza Gift Shop
Fremont East
The Western Hotel
Fremont Street Experience
Four Queens Casino
Fremont Casino
Binion’s Gambling Hall
Golden Gate Casino
California Hotel & Casino
Plaza Hotel & Casino
Boulder Highway
Boulder Station
Sam’s Town

Brought to you by Robert Stark’s Paintings, Stark Truth TV, and his novel Journey to Vapor Island




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Robert Stark talks about Aesthetic Socialism

Aesthetic Socialism, aesthetics, Alt Center, American Culture, Architecture, Art, Art Deco, capitalism, Cities, conformity, Consumerism, Corporations, Culture, David Lynch, demographics, Disneyland, Economics, Eugenics, Europe, Film, Futurism, Giovanni Dannato, Globalization, History, Hollywood, Immigration, income inequality, John C. Portman Jr, Journey to Vapor Island, Las Vegas, Liberalism, Los Angeles, Marxism, materialism, Matthew Pegas, Philosophy, Politics, Psychology, Retro Futurism, Sexuality, social status, social trust, Socialism, Urbanism, Wealth

 

 

 

 

 

 

 

 

 

 

Robert Stark discusses his essay Aristocratic Aesthetic Socialism with Matthew Pegas and Giovanni Dannato.

Topics:

A political ideology based on aesthetic principles
The role that aesthetics plays in shaping social and economic hierarchies
The role that capitalism plays in aesthetic innovation
The problem of markets catering to the lowest common denominator
How poor urban planning models lead to a lack of social cohesion
How architectural innovation in theme parks and resorts create a sense of escapism
How Smart Socialism can address these issues
The need to subsidize artistic endeavors that are not profitable in the short term but pay off long term
The impact that making aesthetics more accessible would have on economics and class
Creating a new aesthetic elite
How these issues relate to demographic trends
Roger Blackstone: The Politics of Aesthetics
Neonationalism

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This show is brought to you by Robert Stark’s Paintings, Stark Truth TV, and his novel Journey to Vapor Island




Vegas Strip Photo Album

aesthetics, Architecture, Culture, Las Vegas, Neon, Photography, Skyscrapers, Travel, Urbanism

 

 

 

 

 

 

 

 

 

 

 

Album includes:

The Flamingo
The Venetian
The Wynn
Caesars Palace
Paris
Cosmopolitan
The Mirage
Luxor
The Shops at Crystals
Peppermill
Circus Circus

Check out Robert’s last Las Vegas photo album from 2016

Brought to you by Robert Stark’s Paintings, Stark Truth TV, and his novel Journey to Vapor Island




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Robert Stark talks to David Cole about LA Malls

1960's, 1970's, 1980's, 1990's, aesthetics, Archeofuturism, Architecture, Beverly Hills, California, Cinema, Cities, Class, Culture, David Cole, Film, Historic Preservation, History, humor, Las Vegas, Los Angeles, Malls, Matthew Pegas, Mid-Century Modern, Neon, Postmodernism, Retro Futurism, Skyscrapers, Urbanism

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and Matthew Pegas talk with David Cole about the history, culture, and aesthetics of LA ‘s Malls. David Cole writes for Takimag and is the author of Republican Party Animal.

Topics:

David and Robert’s background growing up on the Westside of LA
The Open Air Century City Shopping Center, the original 60’s retro futuristic aesthetics, and the film Conquest of the Planet of the Apes
The recent $1-billion makeover of the Mall and plans to make Century City more urban and pedestrian friendly
The “Westfield Aesthetic”
The old underground 70’s retro futuristic ABC Entertainment Center
The first major indoor mall Fox Hills in Culver City
The Westside Pavilion, Jon Jerde’s 80’s Post Modernist aesthetics(original featured in Tom Petty’s Free Fallin’), and plans to turn it into office space
The 80’s Rodeo Collection, an archeo-futuristic urban oasis model for self contained cities, and the film Body Double
The Beverly Center, the amusement park “Kiddyland” before the mall , the original 80’s aesthetics with futuristic external escalators, and latter renovations
The lack of interest in preserving 80’s architecture
Young people’s interest in 80’s aesthetics and the magical dream like memories from early childhood(Hypnagogia)
The 70’s retro high-rise Mr. C Hotel(formerly the Renaissance) near Beverly Hills
The Third Street Promenade, the first major outdoor mall
The rise of outdoor malls such as Rick Caruso’s The Grove and Americana at Brand and how those are now becoming dated
Future trends, the under construction high-rise shopping complex, the Oceanwide Plaza in Downtown LA
The Jon Jerde designed neon lit Universal CityWalk
David’s joke about the City Walk’s old Rain Forest Cafe and the Museum of Tolerance’s Tunnel of Hate
Westwood Village as the center of Westside nightlife and it’s decline in the late 80’s

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This show is brought to you by Robert Stark’s Paintings, Stark Truth TV, and his novel Journey to Vapor Island




Aristocratic Aesthetic Socialism

Aesthetic Socialism, aesthetics, Aleister Crowley, Alt Center, American Culture, Archeofuturism, Architecture, Aristocratic Individualism, Art, Art Deco, California, capitalism, Cinema, Cities, Class, Communism, conformity, Consumerism, Corporations, Culture, David Lynch, demographics, Disneyland, Eugenics, Europe, Film, Germany, Giovanni Dannato, History, Immigration, income inequality, John C. Portman Jr, Journey to Vapor Island, Las Vegas, Los Angeles, Malls, Marxism, materialism, Matthew Pegas, Michel Houellebecq, Mid-Century Modern, Neoliberalism, Nudism, Philosophy, Psychology, Ray Sawhill, Religion, Retro Futurism, Roman Empire, San Francisco, Sexuality, Skyscrapers, social status, social trust, Socialism, Urbanism, Utopia, Wealth

By Robert Stark: Originally Published on Alt of Center

The concept of beauty throughout history has been a force for creation, inspiring mankind to reach the pinnacle of civilization. From men accomplishing great things to win over a lover, the beautiful female as a muse for the artist, religions building great temples and cathedrals to attract worshipers, kings and emperors building monuments to demonstrate their greatness, and businesses using aesthetics in architecture and advertisements to attract more consumers.

In today’s society aesthetics serves primarily as a force to manipulate people to keep them striving and conforming to the liberal capitalist system. Advertisements use aesthetics to create a vision of a product to consume; not just the product itself but an overall aesthetically pleasing scene involving beautiful women, luxurious furnishings, great architecture, natural scenery, and music to create the mood.

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The Starkian Lynch

 Angelo Badalamenti, 1950's, 1960's, 1970's, 1980's, 1990's, 80's music, aesthetics, Alt Center, American Culture, Archeofuturism, Architecture, arcology, Aristocratic Individualism, Art, Art Deco, Blue Velvet, Californication, capitalism, Cinema, Cities, Class, Country Music, Culture, David Lynch, Depravity, Disneyland, Donald Trump, Dune, Economics, Erotized Rage, Fashion, Film, Film Noire, Hollywood, Homosexuality, humor, Jasun Horsley, Journey to Vapor Island, Kyle MacLachlan, Las Vegas, Leisure Suit Larry, Los Angeles, Madeline Zima, Marquis de Sade, Matthew Pegas, meditation, Mental illness, Mid-Century Modern, Morality, Mulholland Drive, Music, Mythology, Neon, Occultism, Philosophy, Politics, Psychology, Religion, Retro Futurism, Science Fiction, Sexuality, Steampunk, Suburbia, Surrealism, Synthwave, Twin Peaks, Urbanism, Utopia, Vaporwave

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and Matthew Pegas discuss the work of David Lynch and the parallels between the “Lynchian” and “Starkian.” Matthew Pegas blogs at Alt of Center | Life. Liberty. And the Pursuit of Beauty.

Topics:

Intro: The Northern Lights – Falling (feat. Lucy Black)
Lynch’s Politics: Admired Ronald Reagan and supported The Natural Law Party
Lynch Endorsed Bernie Sanders and later proclaimed that ‘Trump Could Go Down as One of the Greatest Presidents’
Lynch as an Alt Centrist
Lynch’s interest in Transcendental Meditation which taps into one’s sub-conscience
Lynch as a lone Aristocratic Radical in Hollywood
How capitalism creates faux cultural elites
Lynch’s entry to Hollywood via connections through Mel Brooks which solidified his role in Elephant Man
Lynch’s cinematographic basis as a visual artist and the theme of Neonationalism
The Lynchian aesthetic vs. the Starkian aesthetic and defining what is “Lynchian” and “Starkian”
Lynch and Stark’s self indulgences in their work
Lynch’s interest in Retro aesthetics: Film Noir, animated neon, Mid-Century Modern, and 80’s Vaporwave
Lynch’s affinity for small town Americana and the theme of a dark underbelly to small town life
How the first Twin Peaks portrays a romanticized image of the town, while the new one portrays a more realistic image
The Great Northern as a model for creating aesthetically pleasing suburbs that implement the romanticized image of the small town
Lynch should design a theme park or Las Vegas casino
The soundtrack of Twin Peaks includes a wide variety of genres ranging from 80’s Synth, Old Western, Film Noir Jazz, and 50’s Rock
How the fusion of genres makes it somewhat vague as to when it takes place
Ben Horne as an Old School capitalist who does things that are ethically wrong  yet is rooted in his community
The Black Lodge: it’s symbolism and aesthetics
The philosophy that fear is the opposite of love rather than hate
Mulholland Drive: the themes of Hollywood power and paranoia due to insecurities
Dune: the aesthetics of Dune are more important than the plot
Retro Futurism in Dune: Middle Eastern Archeofuturism, Steampunk, and 80’s aesthetics
Blue Velvet: Sadistic male figures, eroticized rage, and establishing hierarchy through sexual dominance
“Lynchian” themes and references to Twin Peaks in Robert Stark’s novel Journey to Vapor Island

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Left of The Alt-Right Round Table Discussion Part II

aesthetics, Alt Center, Alternative Left, Alternative Right, American Culture, Archeofuturism, Architecture, arcology, Art, Ashley Messinger, Brandon Adamson, Brutalism, Cities, City-State System, Conservatives, Constantin von Hoffmeister, Culture, demographics, Donald Trump, Economics, England, Europe, European Nationalism, France, Front National, Futurism, Germany, Homosexuality, Identitarianism, Immigration, Japan, Las Vegas, Leftism, Liberalism, London, Marine Le Pen, Moscow, Multiculturalism, National Futurism, Nationalism, Politics, Retro Futurism, Robert Lindsay, Russia, Sexuality, Skyscrapers, South Africa, Suburbia, Urbanism

 

 

 

 

 

 

 

 

 

Robert Stark, Brandon Adamson, Ashley Messinger, and Constantin von Hoffmeister continue the discussion on the political scene known as the Alt Left, Left Wing of the Alt Right, or Alt Center.

Topics:

More on how the scene evolved, the implosion of the Alt-Right, and the need to create your own space
How the election of Trump caused friction between Robert Lindsay’s Alt-Left and the Left Wing of the Alt Right
How SJW’s have completely hijacked what remains of an Alt-Left scene
Fundamental differences between the Alt-Right and European Identitarianism
The pros and cons of America’s lack of European cultural identities
European Identitarian movements that are economically leftist but traditionalist on culture and aesthetics
The concept of degenerate art and the failure of the right to differentiate
If the Alt-Right got their hypothetical nation, would it be just another boring Red State suburb?
Reasons for right wing hostility to urbanism and modern architecture
How to create self contained city states
The proposed Crystal Island in Moscow and the Shimizu Mega-City Pyramid in Tokyo
The importance of having shared aesthetic and cultural values rather than complete homogeneity
The compatibility of futurism and tradition in Russia(archeofuturism)
Russia To Welcome 15,000 South African Refugees
Having people that benefit a society is more important than their political orientations

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Robert Stark interviews Richard Register about Ecocities

aesthetics, Architecture, arcology, Art, Asia, Berkeley, California, China, Cities, Culture, Eco-Cities, energy, Environment, Futurism, Galápagos Islands, Global Warming, Historic Preservation, History, John C. Portman Jr, Lafayette CA, Las Vegas, Los Angeles, Nature, New Urbanism, New York, Oakland, Orinda CA, Phoenix, Richard Register, San Francisco, Santa Barbara, Skyscrapers, Suburbia, Urbanism, Utopia, Wilderness, Zoning

 

 

 

 

 

 

 

 

 

Richard Register is a theorist in ecology and urban design, the author of several books on the topic of ecologically sustainable cities, and founder and President of Ecocity World.

Topics:

Richard’s concept of an Ecocity
Paolo Soleri’s concept of an Arcology and his project Arcosanti in Arizona
The Ecosa Institute which is doing what Soleri intended on a smaller scale
Ancient examples of the Arcology go back to Ur in Mesopotamia and Çatalhöyük in Turkey
The city as a complex living organism
Horizontal vs. three dimensional cities
Implementing an ecocity on a large scale as an Ecotropolis
Why density is more ecologically sustainable
Ecocity Zoning
The goal of creating a car free city
The use of bridges between structures
John C. Portman’s Embarcadero Center in San Francisco which has aspects of an Arcology
Exterior glass elevators
Richard’s book Ecocity Berkeley and NIMBY imposed barriers to change in Berkeley
Opening up the creek systems in urban areas
Creating Ecocity village cores in the suburbs and how to retrofit aesthetically pleasing suburbs(ex. Santa Barbara, Marin County, and wealthy East Bay suburbs)
Reducing the foot print of cities and suburbs and opening up new land to agriculture and wilderness
Richard’s illustrations and the importance of aesthetics in urbanism
New Urbanism as a step in the right direction but too rigid in height and density
Richard’s trip to the Galapagos Islands and observations of how architecture coexists with nature
Ecocities in China
Robert’s observation that Las Vegas despite being an ecological catastrophe has many aspects of the Arcology

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Robert Stark talks about his Podcasting History

Adam Parfrey, aesthetics, Alex von Goldstein, alienation, Alt Center, Alternative Right, Architecture, Art, Beverly Hills, Brandon Adamson, California, Class, conformity, Conservatives, Conspiracy Theories, Corporations, counterculture, Culture, demographics, Disneyland, Economics, Emotions, Francis Nally, Futurism, George Bush, Greg Johnson, income inequality, Internet, journalism, Journey to Vapor Island, Las Vegas, Liberalism, Libertarianism, Literature, Los Angeles, Media, Politics, Retro Futurism, Sexuality, social status, Urbanism

 

 

 

 

 

 

 

 

Francis Nally and Brandon Adamson join Robert Stark to discuss his podcasting history, political and cultural evolution, and where he is at now.

Topics:

The new book The Stark Truth With Robert Stark: A Legacy 2009-2018
How for a long time Robert was known as the guy who randomly interviews people
How The Stark Truth doesn’t get the credit it deserves
The lack of substance of firebrand alt-podcasters and Youtube political celebrities
How Robert has now established his own unique “Starkian” ideology and cultural vision
New “Starkian” blog Alt of Center | Life. Liberty. And the Pursuit of Beauty
How Robert’s novel Journey to Vapor Island helped brand the Starkian Identity
Robert’s adolescent traumas which provided inspiration for Journey to Vapor Island
How Robert’s experience growing up in LA and observations on society as a teen shaped his basic cultural and political outlook
How Robert always had many of the same core principles but felt the need to belong and conform to a political tribe
Robert’s political phases including Libertarianism, Paleoconservatism, and Third Positionism
How ironically both Robert and Brandon started out on the right economically and moved closer to the left
How Robert is now at a point where he is entirely independent both politically and culturally
Robert’s podcasting history starting at Voice of Reason Radio, Counter-Currents Radio, and establishing his own podcast
Robert’s past interviews with political dissidents
Robert’s decision to focus the show on culture rather than politics
Brandon’s reference in the book to his trip to Las Vegas with Robert and the inspiration for Vapor Island
Is the future of the dissident sphere a Starkian, Alt-Center, Retro-Futurism?

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island